This Drifting Poo Was Way Too Symbolic! It's the Television Disappointments of the Past Year.

Looking back, we consider the television offerings of the past year, a handful of series emerge not for their brilliance, but for their notable failures. From awkward sequels to bafflingly poor docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with woeful scripts, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the third season began, it seemed as if it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the last series. It ended on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, fans certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The recipient of a very rare zero star assessment, it was difficult to know where to begin listing the problems. The laughably leaden writing? The mind-numbing veneration of wealth and consumption? The almost deliberate parade of tropes? Acting so bad they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be saved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were many other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s televised ventures into twee lifestyle as intentional statements. But then you view them and are forced to concede that in this case, they might have a point. It’s like watching a homeware magazine come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about both Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Instead, the experience was like reading a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to live up to something far greater than it.

Too Much

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lurching from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services spying on – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son away from the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Susan Ramos
Susan Ramos

Elara Voss is a Ruby developer and film critic who merges code with cinema in her blog.